#Tosca opera sd free#

The Sunday matinee pre-opera lecture begins at 1:10pm before the 2:00pm curtain. PRE-OPERA LECTURE: The pre-opera lecture begins at 6:40pm before the start time of 7:30pm for evening performances. Sung in Italian with projected English translations. Directed by Alan Hicks and conducted by Valerio Galli. is able to bring you the latest Broadway news, behind-the-scenes stories, backstage videos, and expert tips to. Argentinian tenor Marcelo Puente makes his San Diego Opera debut as Cavaradossi. Check Availability San Diego Opera: Tosca. Tosca welcomes the return of soprano Michelle Bradley in the title role, and Greer Grimsley in his signature role of Scarpia. Soaring and sensuous, filled with such beautiful arias as Tosca’s “Vissi d’arte”, Cavaradossi’s “Recondita armonia” and the powerful choral piece “Te Deum”, Tosca has some of opera’s most beloved music, and one of opera’s most gripping plots. But Tosca has a plan of her own, all of which unfolds with tragic consequences from which no one can escape.

#Tosca opera sd free#

After arresting Cavaradossi for harboring Angelotti, Scarpia plays with Tosca’s emotions, promising to free Cavaradossi if Tosca will succumb to Scarpia’s desires. Tosca is in love with Cavaradossi, an artist and sympathizer of Angelotti. Scarpia, the chief of police, wants only two things: to recapture the escaped prisoner Angelotti and to seduce Tosca, an opera singer of incredible voice and beauty. Gold Career Grant from the Shoshana Foundation, winner of the 2009 Elgin Opera Vocal Competition, and was a winner of the 2006 International Meistersinger Competition.Tosca is Giacomo Puccini’s gripping drama filled with torture, treachery, lust, execution, and suicide. Stonikas is a recipient of the Richard F. On the concert stage, highlights include Blumenmädchen in Parsifal (Wagner) with the Cleveland Orchestra, conducted by Pierre Boulez. Stonikas had the unique opportunity to perform the roles of Irene and Mary in the American premiere of Jerry Springer – the Opera (Thomas) at the Bailiwick Repertory Theatre in Chicago. Over two summers, the soprano performed Donna Anna in Don Giovanni, Antonia in Les contes d’Hoffmann, and Rosaura in Wolf-Ferrari’s rarely performed Le donne curiose, with Wolf Trap Opera Company. Additionally this season, she performed a recital under the auspices of the Wolf Trap Opera Company. Stonikas debuted the title roles in productions of Turandot and Fidelio at Seattle Opera, to great acclaim. Stonikas appeared with Utah Opera in a role debut as Salome Opera Santa Barbara as Tosca in a return to Seattle Opera as Magda Sorel in Menotti’s The Consul and the Vienna Volksoper for Fidelio.ĭuring the 2012-2013 season, Ms. She concludes the season with Cincinnati Opera, as the title role in Turandot.ĭuring the 2013-2014 season, Ms. She then returns to the Volksoper Vienna, for Leonore in Fidelio, and to Seattle Opera for the title role in Ariadne auf Naxos. Stonikas’ 2014-2015 season, showed performances with the West Australian Symphony Orchestra for Beethoven’s Symphony No. The 2015-2016 season also included Beethoven’s Ninth Symphony with the San Antonio Symphony, and Donna Anna in Don Giovanni with Opera Santa Barbara. The 2015-2016 season’s performances included a significant company debut with Washington National Opera in their critically praised Ring Cycle, singing Gerhilde in Die Walküre and Third Norn in Götterdämmerung. She began the season as Gertrude in Seattle Opera’s Hansel and Gretel, then sang the titular Turandot in debuts with Atlanta Opera and Opera Naples, returned to the role of Ariadne in Ariadne auf Naxos at the Berkshire Opera Festival, and bowed as Leonore in Fidelio with the Princeton Festival. The previous season included anticipated role and company returns, as well as company debuts for Ms. Stonikas made a company debut with Arizona Opera as the title role in Tosca, returned to Seattle Opera as the High Priestess in Aida, and joined Cincinnati Opera as Senta in Der fliegende Höllander. She also joined the roster of the Lyric Opera of Chicago to cover the titular Turandot. Future seasons include a return to Seattle Opera as Miss Jessel in The Turn of the Screw and a debut with San Diego Opera, singing Gertrude in Hansel and Gretel. 8. Future seasons will include Getrude in Hansel and Gretel with San Diego Opera. This season the soprano returns to Seattle Opera as Miss Jessel in The Turn of the Screw, and also joins the South Dakota Symphony for Mahler’s Symphony No. She was First Prize winner in the Wagner Division of the 2013 Gerda Lissner Foundational Vocal Competition, and was a finalist in Seattle Opera’s 2014 International Wagner Competition. Marcy Stonikas is a graduate of Roosevelt University’s Chicago College of Performing Arts (CCPA) and Oberlin College Conservatory of Music. A graduate of the Young Artist Program at Seattle Opera, she performed the roles of Donna Anna in Don Giovanni, Fiordiligi in Così fan tutte, and the title role in Ariadne auf Naxos, whilst a member of the program.